kens,
here are a few changes.
First there is an engine cover/cowling in front of the cabin, next there is a slight forward rake to the after cabin line and an overhang.
The brow is not really very finished looking (quickie shape) and the median line at the 3' line in the cabin is slightly curved to make it more in keeping with the sheer. The coloring, as always, is intended to help make visual separation not to be the suggested paint job.
What we're trying to do is to get your feedback- #1 needs this..., or #2 is better but still.... # 3 is better or worse?; without some idea of what you do or don't like, base, median, window band, and top (with brow) there's not way to be much help?



Back to the design discussion about stand up helm stations:
The top has two or three shapes that need to be described then explained. Side to side curvature is camber, the more (camber) there is the more curved the surface is, and this helps to make the look of a cabin. Since you won't stand against a wall of a cabin and mainly only stand in the middle- camber can also allow the two sides to be lower with only a standing area in the centerline.
The reason to consider this is the extreme proportions we're trying to balance, and as Oyster has observed, the smaller boat's 6'3" cabin is much taller than the same ht on the 40 waterline.

This sketch helps to show the effect on the shape of the brow of the two main curves that determine the shape of the front of the cabin's brow. The camber or amount of curvature from side to side of the top surfac is shown by a series of blue cabin top 'blanks'. The forward curve of the pilot house brow is part of a cylinder that varies in diameter. These different shapes are shown in yellow and they are inclined aft to different degrees.
By changing the camber of the cabin top, the size of the cylinder diameter at the brow and the inclination of that cylinder's axis- you determine the brow shape's basic limits.
If you are used to metal working and drawing your own designs this may seem oversimplified, and too basic to mention? However its included here to make the point that there are unlimited number of combinations that might be employed to draw the traditional brow, or visor, over the windscreen regardless if it leans aft, is plumb, or is raked forward as we've been discussing.
I think its most important to try drawing different combinations - afterall what we all enjoy so much about Dave Gerr's drawing of the Iron Kyle was the fine sense of harmony or nicely proportioned curves fitting together in a pleasing way. So to make the house design system I'm advocating here, you'd have to draw, draw, draw.
One last note about the last image; the lower edge of the intersecting blue cabin top blanks are all flat planes. An entire different look begins to emerge when you make that line a curve as well. The lower curve need not be the same camber as the top to produce an entirely new set of brow lines which are even more attractive than might be drawn with the lower edge a flat plane intersection.
For anyone not familiar with this geometry, I suspect it will take a few minutes and some pencil time to make the point. If just looking at the sketch doesn't make for a clear understanding(?) all I can suggest is an investment of time to sketch and test these relationships until you 'see' the concept.
cheers,